America’s latest Triple Crown winner, American Pharoah, ended his racing career with a bang two years ago, winning the Breeder’s Cup Classic in 2:00.07, easily a track record time. California Chrome, another fan favorite and winner of two-thirds of the Triple Crown, went to Gulfstream Park and faced Arrogate again; Chrome finished far back of the big grey colt that bested him in the Breeder’s Cup Classic mere weeks prior. Unlike Pharoah, Chrome’s last race was not a fitting end to the stellar career that included wins in the Dubai World Cup, the Kentucky Derby, the Preakness, and more.
When top horses end their careers with clunkers, hindsight says that the connections should have stopped when they were ahead. How can they allow this horse to go out and tarnish their careers with lackluster starts? The irony is, that any owner or trainer or jockey cannot know that this last start should have been the last start. We’d all like our favorites to go out on top, but rarely do they get to do that.
Man o’ War did, exiting the match race in October 1920 with his stellar reputation intact. The film of his long, twenty-eight-foot stride played across movie houses across the country. Sam Riddle showed him off both on film and in person before sending his prized immortal horse off to stud, satisfied that they had accomplished all that they could with their incomparable colt. The horse that finished second to him in that very same race, Sir Barton, did not fare as well.
Many times as I have researched Sir Barton and his career, I have seen writers say that the match race was the last race for the first Triple Crown winner as it was for his rival. It was not, however; Sir Barton would start three more times before year’s end. The first was ninety-seven years ago, in the Laurel Handicap.
Carrying 125 pounds for this race, Sir Barton strode out onto the Laurel track for this one-mile race. He faced a field of five others, all horses he had seen in one capacity or another, usually when he beat them to the wire. The Laurel Handicap should have been a cakewalk for him, especially given the caliber of performance he had turned in when he won the Merchants and Citizens Handicap in late August. Instead, under a new-to-him jockey, Jack O’Brien, Sir Barton showed little of what had made him so great mere weeks earlier. After a lackluster warm-up, Sir Barton broke well enough, settling into third behind the front-runners. When it came time to make his move and challenge for the lead, O’Brien could not get his mount to respond. They barely held off a surging Sennings Park to finish third in a race with a brisk, but not sizzling pace.
Sir Barton would start two more times, both at Pimlico; he did not win either start, but he was in the money for all of them. The only horse seen fit to challenge Man o’ War was game enough to stay in it, but he didn’t seem to have enough left in his tank — or heart — to be the stellar racehorse that he had been so many times before. Following him throughout this was the towering shadow of his rival, always coloring the prose whenever his name came up in the papers of the day.
Like Chrome and so many others, those last starts did fit the career of the horse that paved the way for Secretariat and American Pharoah, a fitting testament to the uncertainty that is the sport of racing.
Today marks the ninety-seventh anniversary of the 1920 Kenilworth Gold Cup, better known as ‘The Race of the Century’ between Man o’ War and Sir Barton. The mile-and-a-quarter confrontation was meant to be the ultimate test of both horses, a chance for two record-breakers to thrill the crowd with the speed that their reputations were built on. Ringing the hard-packed dirt oval that October day at Kenilworth Park were fourteen cameras, each stationed at a vantage point that would allow them to film the two combatants. Those cameras created the first known complete horse race on film, billed as “The Race of the Ages.”
The two-reel film from the Educational Film Exchanges showed some of the preparations both stables undertook in order to get their horses to the barrier for the match race as well as the race from both ground level and high above the track. The filmmakers took great care to capture Man o’ War’s stride in slow motion in order to show audiences across the country what made the colt so dominant in his scant two years on the race course. Lost in all of this seemed to be his competitor, Sir Barton, himself a champion and a record-breaker, but certainly not the star of the show. Newspapers recorded that Samuel Riddle, Man o’ War’s owner, held a dinner to show off the film that featured his dominant and legendary stallion; when, how, and if Commander Ross viewed the film himself, was not information that any reader was privy to in 1920.
Advertisements for showings of “The Race of the Age” ran in newspapers across the country well into 1921 as articles giving Man o’ War’s every move chronicled his transition into retirement while controversy followed Sir Barton into the new year. Soon, the first Triple Crown winner’s name seemed to only appear alongside that of his ever-dominant rival, Sir Barton’s defeat at the heels of Man o’ War running on movie screens everywhere over and over again. The diminishing of the reputation of the first horse to complete the biggest accomplishment in racing accelerated with each advertisement. How easy it is to change public perception with something small like an ad, like a death by a thousand small cuts rather than great swinging lashes.
The two reels of “The Race of the Age” seem to be lost to history, a victim of the time that has elapsed between our era and theirs. Searches through a number of archives across the United States, including the National Archives, has produced no known copies of the film. Clips appear on YouTube, but the entirety of the race, as well as those precious images of both horses getting ready to run at Kenilworth, elude this researcher at present. I did find this short clip for you to enjoy as you think back to “The Race of the Age,” on this day ninety-seven years ago.
“At the lonely hour of two on Thursday morning, April 26th, 1916, a beautiful chestnut colt was born to Lady Sterling…”
So begins writer Margaret Phipps Leonard’s obituary for America’s first Triple Crown winner in a 1938 issue of The Horse, a lovely tribute to the horse that brings us all here today.
He was foal #187-16, 187 his dam Lady Sterling’s number at John E. Madden’s Hamburg Place and 16 for the year of his birth. His coat was a shiny chestnut, like his sire and dam, and his face had a wide blaze of white that went to the right over his nose as it cascaded down his beautiful head. He almost had another name, but, like his half-brother Sir Martin, ended up with a moniker a bit more apropos for a horse with the great English sire Sterling and the English Triple Crown winner Isinglass in his pedigree.
He stood out from day one, labeled “the king of them all” by colt breaker Frank Brosche, who saw all of the young horses that came through Hamburg Place. At 15.2 1/2 hands, he might not have overwhelmed his competition with his size, but, when he got going, he could run the best of them into the ground — with one notable exception.
His record of 13-6-5 in 31 starts includes a number of stellar performances, like his wire-to-wire win in the 1919 Kentucky Derby and his stakes and track record time in winning the 1920 Saratoga Handicap. In winning the Triple Crown before it was the Triple Crown, he set the stage for what has evolved into the pinnacle of achievement in American thoroughbred racing. In the nearly one hundred years since he crossed the finish line at Belmont, only eleven others have done it, demonstrating how big of a challenge navigating those three races can be. So great and so influential was Sir Barton that he was one of the first horses inducted into the National Museum of Racing and Hall of Fame in 1957.
Aside from his stats and accomplishments, Sir Barton was also a horse, flesh and blood with a personality, same as the horses that we see on our television and computer screens. John Veitch said of Alydar that his charge was “all horse,” one that didn’t tolerate hugs and possessed that something special, the drive that it took to stand up in the face of a challenge. Sir Barton possessed the same, a smart horse who was less pet and more competitor. As Phipps’s article relates, he “was not vicious, but played roughly.” Trainer H.G. Bedwell’s habit of playfully slapping him on the muzzle whenever Sir Barton had his head out of his stall led to a habit of grabbing someone whenever he or she came near; no wonder JKM Ross described the colt as he did in Boots and Saddles. I imagine that a teenager might see that sort of behavior from a horse as irascible and ‘downright evil.’ Being cooped up in a stall for the better part of the day seemed to inspire an abundance of attitude from Sir Barton.
He was also a smart horse. B.B. Jones of Audley Farm told the story of Sir Barton kicking one of his grooms and then immediately jumping over and looking at the man in apparent apology. He didn’t give his groom any more trouble after that. He also caught Jones’s little finger in his teeth more than once, but turned it loose when Jones told him to do so. Sir Barton was ‘all horse’: smart and fast with the look of eagles and a desire to run — on his terms.
Last year, I wrote a blog post (or two) in celebration of the 100th birthday of Sir Barton, the namesake of this particular website and the project I’ve spent most of the last four years writing. I live daily with Sir Barton and his connections; I’ve likely done more research on that horse, his owners, his trainer, his breeder, and others than anyone else ever has. Wherever Sir Barton went in his life, I follow in whatever way I can given the time elapsed between us. Inevitably, though, our journey intertwines with another chestnut colt, so ubiquitous in reputation that even people who may not know a thing about thoroughbred racing have heard of this horse.
As an Alabama native, I’ve had the concept of rivalries and their import burned into my brain since infancy. Alabama v. Auburn. Purple v. Gold. Federer v. Nadal. Yankees v. Red Sox. For me, as I sit here day in and day out, living and breathing the past, the rivalry between Sir Barton and Man O’War stands paramount.
We like to create rivalries if they don’t emerge naturally; they capture our imagination as we see the struggle and we identify with one or the other. We root for the one we see ourselves in and our highs and lows ebb and flow with their successes and losses. In 1920, Man O’War had bested every horse that crossed his path; even Upset, the one horse that had beaten him, had seen the back of him more than once. With no three-year-old in his class, turf writers and fans looked to the older horses to find a horse that might be able to play spoiler to Big Red.
Two names came to mind: Exterminator and Sir Barton. While Sir Barton, though, was the primary one. His performances in August, including his track record in the 1 1/4-mile Saratoga Handicap, made him the primary candidate for the job. Whether his connections liked it or not, the clamor for the two to meet became daily fodder for turf writers. Long before social media, the daily newspapers and the machinations of promoters like Colonel Matt Winn made a match race not only desirable, but a virtual inevitability.
The only problem? The competition wasn’t quite ready to be competitive. While Man O’War blazed through his three-year-old year with minor qualms about soundness, Sir Barton ran his entire career teetering on the verge of long-term lameness. When the match race was run, Sir Barton blew by Man O’War for a furlong or so, but the twenty-eight-foot stride soon eclipsed whatever lead the Triple Crown winner had. Sir Barton straggled along as best he could, but, as Hollie Hughes confirmed, the Triple Crown winner was not at 100% after his eight starts in 1920, including three in the month of August. With only a few strides, Man O’War collapsed the rivalry into his clear supremacy over Sir Barton and his career of firsts, including the first Triple Crown, an honor which Man O’War himself doesn’t have.
With the victory, Man O’War took his place as THE icon of American racing. Not until Secretariat came along did anyone ever come close to the fame that followed Big Red wherever he went. In 1920, he and Babe Ruth were chosen as outstanding athletes of the year. He was retired to stud when handicapper Walter Vosburgh told owner Samuel Riddle that he would assign Man O’War the highest weight he had ever given any horse, 150 pounds. Riddle promptly retired his champion, who had won 20 of 21 starts and, in the process, became the measuring stick by which every horse to come after him was compared — until another Big Red came along in the early 1970s.
The colt stood at Riddle’s Faraway Farm until his death in 1947. His remains were moved to the Kentucky Horse Park in the 1970s along with a bronze statue emblazoned with only “Man O’War,” no other text needed. When Big Red died, over 2,000 people attended his funeral, which was also broadcast nationwide on NBC Radio. Buglers from the Man O’War Post of the American Legion, clad in the Riddle silks, played “Taps” and racetracks across the country observed a moment of silence as the world said goodbye to the greatest racehorse anyone had ever seen.
For all that Sir Barton accomplished in his career, his loss to Man O’War and their coinciding careers meant that Big Red came to eclipse his rival despite the first Triple Crown winner’s historic achievement. Sir Barton’s racing career was more mixed and not nearly as dominant as Man O’War’s. His success at stud was more muted; he did produce a number of stakes winners of his own, including Easter Stockings, who won the 1928 Kentucky Oaks. His time out west as part of the Remount Service means that his bloodlines may live on in horses of other breeds who would be descended from the cavalry horses that the Remount needed to produce.
For all that Sir Barton did on the track, Man O’War’s shadow looms larger than life and the evidence of that is everywhere, in print, in bloodlines, and in the long memory of thoroughbred racing history.
His racing record and running style might have nabbed him the moniker of Greatest Of All Time (GOAT), but his record at stud cemented it for all time. His descedents include a Triple Crown winner (War Admiral — 1937), Kentucky Derby winners, one Grand National winner (Battleship), and more. As the generations stretched on, his influence grew. Man O’War shows up in the pedigrees of horses like Seabiscuit, Seattle Slew, Affirmed, Alysheba, Zenyatta, American Pharoah, and more. Man O’War’s influence comes from both his sire and broodmare lines and most, if not all, of the current horses on the Triple Crown trail have Man O’War in their pedigree somewhere.
Today, visitors can visit Man O’War along with some of his progeny, like War Admiral, at the end of a walkway which compares his stride to other champions, like Secretariat. He was part of the first class inducted into the National Racing Museum and Hall of Fame in 1957; Sir Barton was also part of that inaugural class, despite the turn into obscurity his career had taken once he left racing.
In addition to his place in the Hall of Fame, Man O’War was voted the best horse of the 20th century by both The Blood-Horse magazine, Sports Illustrated, and the Associated Press. His life has been the subject of several books, including Man O’War: A Legend Like Lightning by Dorothy Ours, an excellent and extensive biography of America’s greatest race horse. Both the National Racing Museum and Hall of Fame and the Kentucky Horse Park will hold sizeable celebrations in honor of Big Red’s 100th birthday, fitting tributes to the horse that captured the country’s imagination nearly 100 years ago and hasn’t left our cultural consciousness since.
In these days leading up to Man O’War’s birthday, I’ve encountered a number of people who are excited about these celebrations. For them, Man O’War is their horse; he might have the one that piqued their interest initially and prompted the love for individual horses that we all have. I understand their ardor because I have the same for Sir Barton, but the rivalry still lives on in me. For every accolade accorded Man O’War on his 100th, I wish for the same for Sir Barton at 101. I can’t think of one without the other; Man O’War likely would have still been the greatest ever if he had never met Sir Barton, but their confrontation contributed something to his sparkle. Their one meeting certainly was enough to dull the shine on the first Triple Crown winner’s reputation over time, one of my greatest motivations for shining a light on Sir Barton again with this blog and First.
In order for a horse to remain in thoroughbred racing consciousness beyond his time on the track, he must capture the racing world in a way that leaves an indelible mark on all who saw him. Short of our Triple Crown winners, few horses remain on our collective radars once they hit the breeding shed. In a sport where the next star rises as soon as the last one exits, for Man O’War to remain such an icon speaks to his excellence on the track and off. Only a truly great horse can survive the test of time and Riddle’s Red shows no signs of ever losing his place as the GOAT of thoroughbred racing.
Happy Birthday, Man O’War, from a grudging admirer!
He was born John Patrick Loftus in Chicago, Illinois, the son of parents who had immigrated to the United States from Ireland. His father was an engineer; his mother birthed five sons: John, Martin, David, Frank, and Robert. Nothing in his background made horses a clear choice for young Johnny, but, nevertheless, he gravitated toward the racing life and made it his own.
When Johnny came of age, he was attracted to horses just as the racetracks around him closed, felled by the movement against gambling in the United States. Unscrupulous gamblers and the resultant scandals led to a wave of anti-gambling legislation in the United States. By the time young Johnny Loftus rode in his first race in 1909, the racing world within the vast expanse of American soil was shrinking down to just Kentucky and Maryland, with limited racing in far-flung corners like Jacksonville, Florida, where young Mr. Loftus rode his first race. He finished last.
Not an auspicious start to his career, but the young Loftus was determined to make a go of it. He loved horses, inhaled them even, content to sleep in their stalls and learn everything he could about them. Horses responded to him; he learned to become a master of pace, knowing how fast the horses around him were going and judging when to move his own mount in response. The skills he acquired in his years of traveling from place to place in search of mounts netted him wins in prestigious races like the Kentucky Derby, the Preakness Stakes, the Travers Stakes, and more. He rode the big name horses of the day: Exterminator, Regret, War Cloud, and more.
His biggest problem wasn’t getting the mounts, though; it was his physique. Loftus teetered on the brink of unemployment with every pound. His powerful legs might have helped him balance on the brief width of leather beneath him, but those muscles were also weight that he couldn’t shed. Johnny tried to ride at 110 pounds or less; often, he couldn’t manage to get below 112. A brief stint in Europe and the heavier weights horses carried there gave him some respite from the struggle, but, when he returned to the United States, the fight was on again. He could never escape the ravages of weight, but it wouldn’t stop his ascendency either. Johnny Loftus was one of the elite riders of his day, and, as a master of pace; his services would be needed for one Commander JKL Ross to win the 1919 Kentucky Derby and his bet with Arnold Rothstein.
The 1919 Kentucky Derby showed just how tough a fight it was for Loftus to maintain his weight. Sir Barton was assigned 110 pounds, the beneficiary of a twelve-pound break in weight because of his maiden status. His jockey Johnny had a body that rebelled against such light imposts; Sir Barton carried 112.5 pounds because Loftus’s physique, already haggard and sunken from the battles with weight, refused to shed the difference. The extra weight meant little to Commander Ross; Loftus was still one of the best jockeys in the country. He piloted Sir Barton exactly as planned, sending the speedy colt to the front with unexpected results: rather than burning off the speed horses and giving way to his stablemate Billy Kelly, Sir Barton won a wire-to-wire Kentucky Derby in the slop. The Derby winner’s circle photo shows Loftus looking lean and hungry, unable to crack a smile despite the fact that he had just won his second Kentucky Derby. That struggle with weight might mean that Loftus would ride a pound or so overweight, but his skills and record were such that it never seemed to matter to his employers. Johnny had more than his fair share of winners, with 580 winners from 2,449 mounts in his ten-year career.
In his career, Loftus won most of the major American stakes races, including the classics and, of course, the first Triple Crown. He rode Man O’War, Sir Barton, War Cloud, Regret, and many more top horses of that era. The first part of the twentieth century was a time when jockeys had no union and operated with contracts that could be bought and sold like the horses they rode, but Loftus was among the elite, riding for the top owners of the day, including A.K. Macomber, Commander JKL Ross, H.P. Whitney, and Samuel Riddle. For all of the laurels he collected, though, he has the misfortune of one black mark on his record: the 1919 Sanford Memorial Stakes.
One of the first skills that jockeys in this era had to learn was how to balance the plethora of sensory inputs that were the starting barrier for any race. Long before the starting gate became a reality, horses stood in front of a stretched white fabric webbing before them which marked the starting line. On a stand on the other side of the rail was the starter, a man whose goal was to get all of the horses standing still and facing forward in line at the same time and then releasing them. Assistant starters, usually strapping men with horse whips, stood behind them, helping to get anyone unruly into line. Jockeys needed to have their own mounts in position while also watching for the starter to pull the lever and spring the barrier to start the race and do all of this with any number of other horses and jockeys trying to do the same thing. Kicks and shouts and false starts were all trials to be borne for the chance at the perfect start. Loftus mastered this skill as did many of the era’s greatest jockeys, all angling for the flying start that would catch their mounts already in stride as the barrier gave way to the action.
August 13, 1919 saw Saratoga without their usual starter, Mars Cassidy. Loftus was well aware of Cassidy’s tells, but was not at all familiar with his replacement Charles Pettingill. Pettingill, who had once been a starter before becoming a judge, was known for the seeming inability to do his job; a number of the races on the Saratoga card that day had terrible starts, with Pettingill unable to keep things tidy and orderly. Then came the Sanford Memorial Stakes.
Laden with 130 pounds, Man O’War was one of the high weights in the race, Golden Broom the other, also with 130 pounds. Loftus’s instructions were to let Golden Broom set the pace and then to move when he tired, rather than running on the front. The race was only six furlongs with every other horse massive underdogs next to the strapping Big Red. All Johnny had to do was avoid trouble and surely this start would end as all of the others would, with Red coming home first. Pettingill’s inability to get the horses at the start under control meant that Loftus, trying to get Man O’War back into position for a fresh start, wasn’t ready for the lever’s fall. The field got a jump on him and the greatest horse of the 20th century was nearly left at the post.
Doing his best to follow instructions, Johnny kept his mount behind the front runners, but soon realized that he was boxed in. Upset kept Golden Broom close to the rail, preventing him from squeezing through when the latter might bear out on the turn. Next to him was Donnaconna, just back on his flank. If he took Man O’War to the outside, going around all of this horseflesh, he would expend quite a bit of energy, that 130 pounds telling on any mortal body. If they stayed where they were, they would have to wait for an opportunity or create it. Loftus tried to create it, shouting for room to come through. Neither Golden Broom nor Upset gave way. The box was closing quickly as the ground between them and the finish line grew smaller and smaller.
Finally, Golden Broom gave way, the 130-pound impost too much. He fell back, leaving only one horse in front, and finally Loftus was able to swing Big Red to the outside. With only a furlong left, Loftus unleashed Man O’War, urging him to make up ground. Willie Knapp, Upset’s jockey, did the same on his mount and, though the gap between the two was starting to close, the bare furlong turned in mere yards and then only feet for Man O’War to close the gap and then eclipse Upset. But Upset carried only 115 pounds to Man O’War’s 130 pounds, enough to make a difference. The crazy start plus the rough trip meant that despite every inch of the twenty-eight-foot stride that Man O’War possessed was not enough to catch the elusive Upset. They crossed the finish line, with the aptly named Upset a bare half-length in front. In the next couple of strides, Man O’War had caught the upstart, but it was too little too late.
It would be Man O’War’s only loss. It would contribute to Loftus’s undoing.
Despite going on to win three more starts on Man O’War that year, Johnny’s legacy became forever tied to the misfortunes that resulted in Big Red’s only loss. He mysteriously lost his jockey’s license the following year and was never able to regain it; he applied for a trainer’s license, though, and was granted that immediately. He stayed in the game as long as he could, training stakes winners for prominent owners, but, when he had a streak of bad luck, he gave up the racing game for something far calmer and less risky: carpentry. He died in 1976, far away from the bugle’s call and the tiny square of leather that had been his office for so long.
In the end, John Patrick Loftus was remembered less for the classics he won and the Triple Crown he helped to pioneer and more for the bad start and even worse racing luck that plagued Man O’War on that fateful day, the one black mark on Big Red’s career that haunted the jockey, not the horse, for years to come.
His name was Johnny, an Irish boy who rode horses and became one of the era’s best and brightest jockeys. He was one of the First, the right pilot for the right horse at the moment when history was made.
Many great & glorious thanks to Dorothy Ours & her book on Man O’War for giving me inspiration as well as serving as a wonderful source on Johnny Loftus & many other topics.
It’s not a match race, really. When a race has twelve horses slated to start, each paying $1,000,000 for the privilege of running, the Pegasus World Cup Invitational at Gulfstream Park is a true horse race. Twelve starters, many possible outcomes.
The coverage of the Pegasus, part of a slate of seven stakes races on Saturday, January 28th, pays lip service to the other ten starters, but really it all seems to come down to two horses: Arrogate and California Chrome. Arrogate, the four-year-old youngster, recently voted the world’s best racehorse by Longines, conqueror of the last year’s Travers Stakes and Breeder’s Cup Classic. California Chrome, six years old, on the verge of retirement and stud life, twice Horse of the Year, conquered by the upstart Arrogate both in the Classic and in the voting for world’s best racehorse.
The gate might hold twelve, but the world only sees two. Only two names matter.
Arrogate vs. California Chrome. Speedy wonder with only one loss in his racing career versus the veteran who nearly won a Triple Crown and beat all comers in 2016 except this newly minted rival. With one voted the best in the world, barely edging out the other, the question of supremacy becomes paramount.
On October 12, 1920, about 3.37 pm, two horses stood at the barrier on Kenilworth Park’s dirt oval. The largest crowd ever to grace the stands watched as the two took to the track, one clad in Ross orange and black and the other in the yellow and black of Samuel Riddle, each known as the best of his class. As they lined up by the starter, one towering over the other, their riders took their positions, gripping the leather reins and waiting for this particular job to begin.
The match race itself had come together rather quickly, a response to the drumbeat of desire that threatened to drown out everything else in thoroughbred racing that fall. Man O’War had conquered all comers to that point, save for a slight blip on the map named Upset, but his owner’s caution had left one question still to be answered: how would Big Red fare amongst older horses? When Willis Sharpe Kilmer dropped his Exterminator out of the mix, Sir Barton became the symbol of the best that the older class had to offer: record setter under heavy weights, Triple Crown winner, the star of the Ross Stable. For the champion, though, the one who had done what Man O’War hadn’t, 1920 had been a hard campaign, with eight starts, three in August alone, after thirteen in 1919. Sure, Man O’War had had ten starts in 1920, but he didn’t have the shelly hooves that plagued Sir Barton. The track at Kenilworth was hard and fast, thanks to Abe Orpen’s hope for a speed duel. For Sir Barton, the solid surface and the residual soreness of a long campaign brought on lingering questions about soundness, but no one in the Ross camp was going to give their hand away. Kenilworth, though, had taken on a dour air as a result. As J.K.M. Ross laments in Boots and Saddles, this was “a battleground for greatness and a breeding ground for disappointment and distortion” (207).
With his obvious advantages in height and muscle, it was clear how tremendous Man O’War was next to Sir Barton. While the Triple Crown winner was not the largest horse, he clearly showed why he had been so good on the track versus so many of the era’s best horses. Standing there at the barrier, though, Sir Barton looked like a common plater next to Man O’War. The race was nearly a foregone conclusion, but Ross’s sense of sportsmanship wouldn’t allow him to withdraw from the contest. In the end, Man O’War’s conquering of his competition only intensified the ascendency of his star. For Sir Barton, though, it might have been the contributing factor to his slow fade into near obscurity.
Ninety-six years ago today, the Kenilworth Gold Cup was the match race that turned out to be no match at all. For Man O’War, the race resulted drinking champagne from the race’s gold trophy and retiring to stud to make an indelible and lasting mark on the pedigree of all thoroughbreds racing today. For Sir Barton, it was the end. He ran two more times, but his soundness and heart weren’t up to the task. He went quietly to stud and then, because of death and circumstance, to the Wild West, resting for all time in rural Wyoming.
But he left his mark loudly even if he went off quietly into the night. It’s in the walls of noise at Churchill Downs and Pimlico and Belmont in the spring. It’s in the vaunted places of horses like Citation, Secretariat, Affirmed, and now American Pharoah in the pantheon of thoroughbred racing. He may not have been a behemoth on the track, but his achievement on those spring days in 1919 has become the yardstick by which we measure all horses to this day.