Journeys start with a step. Sometimes, you don’t realize you’re on them until a moment lights up your life, illuminating the scene so you finally can see it all clearly. I didn’t know I was on this journey until I got an email that showed me this path. That was four years ago today. Happy Birthday to The Sir Barton Project!
My name is Jennifer Kelly, the author of this blog and First: Sir Barton and the Birth of the American Triple Crown (tentative title). I hope to bring you big news about what’s next for Sir Barton in the coming days. For now, I am glad for unexpected journeys and for the many moments of clarity that have brought you and me here today.
From maiden to monarch in a month, Sir Barton arrived at the barrier for the Belmont Stakes in a roundabout way. Speculation held that he would ship to Latonia for the Latonia Derby, but factors outside the control of both owner J.K.L. Ross and trainer H.G. Bedwell kept the Derby and Preakness winner in Gotham. So, on the last day of Belmont’s meet, the chestnut son of Star Shoot and Lady Sterling strode out onto the track with only two other challengers as the morning-line favorite to make history, unbeknownst to any of the 25,000 people present.
For his connections, the Belmont’s $11,950 was another rich purse to contend for, convenient because the stable was already in New York. For Sir Barton, it was his fourth start since May 10th and, given the number of horses that weren’t on the track with him, the race looked like his fourth win too. The large purse was a sign of progress for racing; the anti-gambling legislation that had shuttered the sport in New York for two years was fading into memory as big purses attracted big horses once more. The Belmont Stakes’ distance, a mile and three-eighths, made it one of a fast-fading number of long-distance races and a test of the colt’s ability to carry his speed over that much ground. He had done that in Louisville, but could he do it here, over this S-shaped route? Like most of the horses competing in the Belmont this weekend, this would be the longest race Sir Barton would ever run, earning the moniker “The Test of the Champion” that it has now.
The crowd thronged Sir Barton and his connections in the paddock, craning to get a glimpse at the horse that had dominated in Louisville and Baltimore, winning an unprecedented double that had already made an impression. The colt was calm throughout, with only the call to the post sending him dancing with anticipation. At the barrier, he stood on the rail, Natural Bridge and Sweep On to his right, both earning their footnote in history as his only competition. When the barrier flew up, Sir Barton jumped into the lead, ready to run only to have his energy reined in by jockey Johnny Loftus. They sat a couple of lengths back of Natural Bridge for the better part of the race, Sweep On bringing up the rear. Entering the stretch, Loftus relented on the reins and Sir Barton took off, swallowing ground like a thirsty man in a desert as he caught up to and then passed Natural Bridge within a furlong. Once they were a couple of lengths in the clear, Loftus reined his mount in once more, Sir Barton still full of run but listening to the capable hands of the man who had been with him throughout this miracle run.
He finished the mile and three-eighths in 2.17 2/5, a new American record. His performance made his supposedly high-class competition look like the commonest of platers as he beat them both with such ease that encomiums like ‘horse of the decade’ showered down on him from the throng of people present. In the winner’s circle, Ross shook hands with Loftus and playfully patted Sir Barton, accepting the silver plate that served as the Belmont trophy with overflowing joy. With that victory, Sir Barton had completed the first American Triple Crown, though it would be nearly another two decades before that accomplishment had its name and place in the pantheon of racing in America.
As we look at the ever-evolving picture of the 149th Belmont Stakes, a look back at the 51st running, the first that resulted in the very thing that so many racing fans look forward to each year, shows how little has changed about the phenomenon of racing. On Saturday, these good three-year-olds will take The Test of the Champion and one will emerge victorious. While Always Dreaming and Cloud Computing might be absent, a win in the Belmont is still an achievement to brag about: Triple Crown Classic winner at a mile and a half. Whoever finishes first, in the end, can etch their name in history alongside Sir Barton as winner of the Belmont Stakes.
With this year’s edition of the Kentucky Derby coming up fast, let’s look at something that a horse rarely can be entering Derby week: a maiden. With the Derby now requiring a certain number of points in order to make it into the gate, a horse will need to finish in the money in more than one race or finish second in the right races to join the cavalry charge of horses in Louisville. Before the points system became reality, a horse could come into the Derby as a real maiden; nine have done it since 1937. Their chances of winning, though, might not be as good since they may not have the experience or the talent to be the one in front at the wire at Churchill Downs.
These three maidens defied the odds and did just that, making the Run for the Roses their own.
In the last part of the 19th century, African-American jockey Isaac Burns Murphy won three Derbies (1884, 1890, 1891), his first on a firebrand chestnut named Buchanan.
Buchanan had not won a race prior to his start in the 1884 Kentucky Derby and was, from contemporary accounts, a difficult horse to ride. Murphy was one of the best jockeys of the day, though, and managed Buchanan well enough for the colt to break his maiden in the Run for the Roses. Buchanan went on to a record of 35: 8-14-10, winning the Ripple Stakes and the Clark Handicap before retiring at the age of three.
Buchanan stood stud at Senorita Stock Farm in Lexington, KY, the site of the present -day Kentucky Horse Park. He didn’t make much of an impression at stud, siring only three stakes winners, and died in either 1894 or 1897 (contemporary accounts differ) of an inflammation of the bowels.
Sir Barton (1919)
Sir Barton made his last start of 1918 in the Futurity at Belmont in September; he was due to make additional starts in his two-year-old season before an illness put him out of commission for the remainder of the year. Trainer H.G. Bedwell declined to start the colt in any races in the first part of 1919, though stablemate and fellow Kentucky Derby starter Billy Kelly did have three starts prior to Derby Day. Sir Barton prepared instead through a series of workouts with other horses in the Ross Stable, demonstrating just how good the three-year-old son of Star Shoot* was.
Saturday, May 10th dawned rainy and wet, with the Churchill Downs oval heavy from rain. Twelve went to the post and one left the barrier flying: Sir Barton. He led at every pole and never surrendered, not even to Billy Kelly, for whom he was supposedly there to clear the way. Sir Barton went on to follow up that spectacular win with another speedy performance four days later in the Preakness. From there, he won the Withers and then the Belmont Stakes, completing America’s first Triple Crown.
From maiden to legend in the space of thirty-two days, the most successful horse to break his maiden in the Kentucky Derby.
Broker’s Tip (1933)
Black Toney had sired a Kentucky Derby winner already, a colt named Black Gold who won in 1924. His son Broker’s Tip had shown little of the form that Black Gold had and thus no one expected to see Broker’s Tip in a stretch battle in the 1933 Kentucky Derby and the near-fistfight that broke out as a result.
Broker’s Tip’s jockey Don Meade sent his mount to the inside of frontrunner Head Play, ridden by Herb Fisher. Incensed that Meade had snuck up on him, Fisher tried to push Broker’s Tip into the rail, to which Meade responded by pushing back and attempting to pull Head Play’s saddlecloth. Fisher took a couple of swings at Meade with his whip and suddenly the two jockeys were exchanging blows as their mounts dueled down the stretch. At the wire, Broker’s Tip managed to get his nose in front, or at least that’s how the judges saw it. Fisher lodged an infraction claim against Meade, which went nowhere, and then the two continued their fight in the jock’s room. (The two made up and even came together years later to talk about that Derby.)
Both jockeys received suspensions for their rough riding in the Derby. Broker’s Tip got a trophy, the purse, and his lone win of his career, but that photo of Meade and Fisher fighting down the stretch stands more iconic than the horses involved.
These three horses show that it is possible to break your maiden in America’s most famous race. Could that happen again? Only time will tell.
“At the lonely hour of two on Thursday morning, April 26th, 1916, a beautiful chestnut colt was born to Lady Sterling…”
So begins writer Margaret Phipps Leonard’s obituary for America’s first Triple Crown winner in a 1938 issue of The Horse, a lovely tribute to the horse that brings us all here today.
He was foal #187-16, 187 his dam Lady Sterling’s number at John E. Madden’s Hamburg Place and 16 for the year of his birth. His coat was a shiny chestnut, like his sire and dam, and his face had a wide blaze of white that went to the right over his nose as it cascaded down his beautiful head. He almost had another name, but, like his half-brother Sir Martin, ended up with a moniker a bit more apropos for a horse with the great English sire Sterling and the English Triple Crown winner Isinglass in his pedigree.
He stood out from day one, labeled “the king of them all” by colt breaker Frank Brosche, who saw all of the young horses that came through Hamburg Place. At 15.2 1/2 hands, he might not have overwhelmed his competition with his size, but, when he got going, he could run the best of them into the ground — with one notable exception.
His record of 13-6-5 in 31 starts includes a number of stellar performances, like his wire-to-wire win in the 1919 Kentucky Derby and his stakes and track record time in winning the 1920 Saratoga Handicap. In winning the Triple Crown before it was the Triple Crown, he set the stage for what has evolved into the pinnacle of achievement in American thoroughbred racing. In the nearly one hundred years since he crossed the finish line at Belmont, only eleven others have done it, demonstrating how big of a challenge navigating those three races can be. So great and so influential was Sir Barton that he was one of the first horses inducted into the National Museum of Racing and Hall of Fame in 1957.
Aside from his stats and accomplishments, Sir Barton was also a horse, flesh and blood with a personality, same as the horses that we see on our television and computer screens. John Veitch said of Alydar that his charge was “all horse,” one that didn’t tolerate hugs and possessed that something special, the drive that it took to stand up in the face of a challenge. Sir Barton possessed the same, a smart horse who was less pet and more competitor. As Phipps’s article relates, he “was not vicious, but played roughly.” Trainer H.G. Bedwell’s habit of playfully slapping him on the muzzle whenever Sir Barton had his head out of his stall led to a habit of grabbing someone whenever he or she came near; no wonder JKM Ross described the colt as he did in Boots and Saddles. I imagine that a teenager might see that sort of behavior from a horse as irascible and ‘downright evil.’ Being cooped up in a stall for the better part of the day seemed to inspire an abundance of attitude from Sir Barton.
He was also a smart horse. B.B. Jones of Audley Farm told the story of Sir Barton kicking one of his grooms and then immediately jumping over and looking at the man in apparent apology. He didn’t give his groom any more trouble after that. He also caught Jones’s little finger in his teeth more than once, but turned it loose when Jones told him to do so. Sir Barton was ‘all horse’: smart and fast with the look of eagles and a desire to run — on his terms.
If you’re going to be in Baltimore at Pimlico on May 20th, guess what? We will be there as well! That’s right: The Sir Barton Project (i.e., myself and my amazing husband) will be there to experience the joy and pageantry of Preakness weekend at Pimlico. I’ll be around for both Black-Eyed Susan and Preakness Days, another tick off my personal bucket list.
I went to the Kentucky Derby in 2007, the year that Street Sense won, the first time I had seen live racing in YEARS. Alabama isn’t exactly a hotbed of thoroughbred racing, sadly.
Now, if I could only pick a horse to root for in this year’s Triple Crown…
Last year, I wrote a blog post (or two) in celebration of the 100th birthday of Sir Barton, the namesake of this particular website and the project I’ve spent most of the last four years writing. I live daily with Sir Barton and his connections; I’ve likely done more research on that horse, his owners, his trainer, his breeder, and others than anyone else ever has. Wherever Sir Barton went in his life, I follow in whatever way I can given the time elapsed between us. Inevitably, though, our journey intertwines with another chestnut colt, so ubiquitous in reputation that even people who may not know a thing about thoroughbred racing have heard of this horse.
As an Alabama native, I’ve had the concept of rivalries and their import burned into my brain since infancy. Alabama v. Auburn. Purple v. Gold. Federer v. Nadal. Yankees v. Red Sox. For me, as I sit here day in and day out, living and breathing the past, the rivalry between Sir Barton and Man O’War stands paramount.
We like to create rivalries if they don’t emerge naturally; they capture our imagination as we see the struggle and we identify with one or the other. We root for the one we see ourselves in and our highs and lows ebb and flow with their successes and losses. In 1920, Man O’War had bested every horse that crossed his path; even Upset, the one horse that had beaten him, had seen the back of him more than once. With no three-year-old in his class, turf writers and fans looked to the older horses to find a horse that might be able to play spoiler to Big Red.
Two names came to mind: Exterminator and Sir Barton. While Sir Barton, though, was the primary one. His performances in August, including his track record in the 1 1/4-mile Saratoga Handicap, made him the primary candidate for the job. Whether his connections liked it or not, the clamor for the two to meet became daily fodder for turf writers. Long before social media, the daily newspapers and the machinations of promoters like Colonel Matt Winn made a match race not only desirable, but a virtual inevitability.
The only problem? The competition wasn’t quite ready to be competitive. While Man O’War blazed through his three-year-old year with minor qualms about soundness, Sir Barton ran his entire career teetering on the verge of long-term lameness. When the match race was run, Sir Barton blew by Man O’War for a furlong or so, but the twenty-eight-foot stride soon eclipsed whatever lead the Triple Crown winner had. Sir Barton straggled along as best he could, but, as Hollie Hughes confirmed, the Triple Crown winner was not at 100% after his eight starts in 1920, including three in the month of August. With only a few strides, Man O’War collapsed the rivalry into his clear supremacy over Sir Barton and his career of firsts, including the first Triple Crown, an honor which Man O’War himself doesn’t have.
With the victory, Man O’War took his place as THE icon of American racing. Not until Secretariat came along did anyone ever come close to the fame that followed Big Red wherever he went. In 1920, he and Babe Ruth were chosen as outstanding athletes of the year. He was retired to stud when handicapper Walter Vosburgh told owner Samuel Riddle that he would assign Man O’War the highest weight he had ever given any horse, 150 pounds. Riddle promptly retired his champion, who had won 20 of 21 starts and, in the process, became the measuring stick by which every horse to come after him was compared — until another Big Red came along in the early 1970s.
The colt stood at Riddle’s Faraway Farm until his death in 1947. His remains were moved to the Kentucky Horse Park in the 1970s along with a bronze statue emblazoned with only “Man O’War,” no other text needed. When Big Red died, over 2,000 people attended his funeral, which was also broadcast nationwide on NBC Radio. Buglers from the Man O’War Post of the American Legion, clad in the Riddle silks, played “Taps” and racetracks across the country observed a moment of silence as the world said goodbye to the greatest racehorse anyone had ever seen.
For all that Sir Barton accomplished in his career, his loss to Man O’War and their coinciding careers meant that Big Red came to eclipse his rival despite the first Triple Crown winner’s historic achievement. Sir Barton’s racing career was more mixed and not nearly as dominant as Man O’War’s. His success at stud was more muted; he did produce a number of stakes winners of his own, including Easter Stockings, who won the 1928 Kentucky Oaks. His time out west as part of the Remount Service means that his bloodlines may live on in horses of other breeds who would be descended from the cavalry horses that the Remount needed to produce.
For all that Sir Barton did on the track, Man O’War’s shadow looms larger than life and the evidence of that is everywhere, in print, in bloodlines, and in the long memory of thoroughbred racing history.
His racing record and running style might have nabbed him the moniker of Greatest Of All Time (GOAT), but his record at stud cemented it for all time. His descedents include a Triple Crown winner (War Admiral — 1937), Kentucky Derby winners, one Grand National winner (Battleship), and more. As the generations stretched on, his influence grew. Man O’War shows up in the pedigrees of horses like Seabiscuit, Seattle Slew, Affirmed, Alysheba, Zenyatta, American Pharoah, and more. Man O’War’s influence comes from both his sire and broodmare lines and most, if not all, of the current horses on the Triple Crown trail have Man O’War in their pedigree somewhere.
Today, visitors can visit Man O’War along with some of his progeny, like War Admiral, at the end of a walkway which compares his stride to other champions, like Secretariat. He was part of the first class inducted into the National Racing Museum and Hall of Fame in 1957; Sir Barton was also part of that inaugural class, despite the turn into obscurity his career had taken once he left racing.
In addition to his place in the Hall of Fame, Man O’War was voted the best horse of the 20th century by both The Blood-Horse magazine, Sports Illustrated, and the Associated Press. His life has been the subject of several books, including Man O’War: A Legend Like Lightning by Dorothy Ours, an excellent and extensive biography of America’s greatest race horse. Both the National Racing Museum and Hall of Fame and the Kentucky Horse Park will hold sizeable celebrations in honor of Big Red’s 100th birthday, fitting tributes to the horse that captured the country’s imagination nearly 100 years ago and hasn’t left our cultural consciousness since.
In these days leading up to Man O’War’s birthday, I’ve encountered a number of people who are excited about these celebrations. For them, Man O’War is their horse; he might have the one that piqued their interest initially and prompted the love for individual horses that we all have. I understand their ardor because I have the same for Sir Barton, but the rivalry still lives on in me. For every accolade accorded Man O’War on his 100th, I wish for the same for Sir Barton at 101. I can’t think of one without the other; Man O’War likely would have still been the greatest ever if he had never met Sir Barton, but their confrontation contributed something to his sparkle. Their one meeting certainly was enough to dull the shine on the first Triple Crown winner’s reputation over time, one of my greatest motivations for shining a light on Sir Barton again with this blog and First.
In order for a horse to remain in thoroughbred racing consciousness beyond his time on the track, he must capture the racing world in a way that leaves an indelible mark on all who saw him. Short of our Triple Crown winners, few horses remain on our collective radars once they hit the breeding shed. In a sport where the next star rises as soon as the last one exits, for Man O’War to remain such an icon speaks to his excellence on the track and off. Only a truly great horse can survive the test of time and Riddle’s Red shows no signs of ever losing his place as the GOAT of thoroughbred racing.
Happy Birthday, Man O’War, from a grudging admirer!
He was born John Patrick Loftus in Chicago, Illinois, the son of parents who had immigrated to the United States from Ireland. His father was an engineer; his mother birthed five sons: John, Martin, David, Frank, and Robert. Nothing in his background made horses a clear choice for young Johnny, but, nevertheless, he gravitated toward the racing life and made it his own.
When Johnny came of age, he was attracted to horses just as the racetracks around him closed, felled by the movement against gambling in the United States. Unscrupulous gamblers and the resultant scandals led to a wave of anti-gambling legislation in the United States. By the time young Johnny Loftus rode in his first race in 1909, the racing world within the vast expanse of American soil was shrinking down to just Kentucky and Maryland, with limited racing in far-flung corners like Jacksonville, Florida, where young Mr. Loftus rode his first race. He finished last.
Not an auspicious start to his career, but the young Loftus was determined to make a go of it. He loved horses, inhaled them even, content to sleep in their stalls and learn everything he could about them. Horses responded to him; he learned to become a master of pace, knowing how fast the horses around him were going and judging when to move his own mount in response. The skills he acquired in his years of traveling from place to place in search of mounts netted him wins in prestigious races like the Kentucky Derby, the Preakness Stakes, the Travers Stakes, and more. He rode the big name horses of the day: Exterminator, Regret, War Cloud, and more.
His biggest problem wasn’t getting the mounts, though; it was his physique. Loftus teetered on the brink of unemployment with every pound. His powerful legs might have helped him balance on the brief width of leather beneath him, but those muscles were also weight that he couldn’t shed. Johnny tried to ride at 110 pounds or less; often, he couldn’t manage to get below 112. A brief stint in Europe and the heavier weights horses carried there gave him some respite from the struggle, but, when he returned to the United States, the fight was on again. He could never escape the ravages of weight, but it wouldn’t stop his ascendency either. Johnny Loftus was one of the elite riders of his day, and, as a master of pace; his services would be needed for one Commander JKL Ross to win the 1919 Kentucky Derby and his bet with Arnold Rothstein.
The 1919 Kentucky Derby showed just how tough a fight it was for Loftus to maintain his weight. Sir Barton was assigned 110 pounds, the beneficiary of a twelve-pound break in weight because of his maiden status. His jockey Johnny had a body that rebelled against such light imposts; Sir Barton carried 112.5 pounds because Loftus’s physique, already haggard and sunken from the battles with weight, refused to shed the difference. The extra weight meant little to Commander Ross; Loftus was still one of the best jockeys in the country. He piloted Sir Barton exactly as planned, sending the speedy colt to the front with unexpected results: rather than burning off the speed horses and giving way to his stablemate Billy Kelly, Sir Barton won a wire-to-wire Kentucky Derby in the slop. The Derby winner’s circle photo shows Loftus looking lean and hungry, unable to crack a smile despite the fact that he had just won his second Kentucky Derby. That struggle with weight might mean that Loftus would ride a pound or so overweight, but his skills and record were such that it never seemed to matter to his employers. Johnny had more than his fair share of winners, with 580 winners from 2,449 mounts in his ten-year career.
In his career, Loftus won most of the major American stakes races, including the classics and, of course, the first Triple Crown. He rode Man O’War, Sir Barton, War Cloud, Regret, and many more top horses of that era. The first part of the twentieth century was a time when jockeys had no union and operated with contracts that could be bought and sold like the horses they rode, but Loftus was among the elite, riding for the top owners of the day, including A.K. Macomber, Commander JKL Ross, H.P. Whitney, and Samuel Riddle. For all of the laurels he collected, though, he has the misfortune of one black mark on his record: the 1919 Sanford Memorial Stakes.
One of the first skills that jockeys in this era had to learn was how to balance the plethora of sensory inputs that were the starting barrier for any race. Long before the starting gate became a reality, horses stood in front of a stretched white fabric webbing before them which marked the starting line. On a stand on the other side of the rail was the starter, a man whose goal was to get all of the horses standing still and facing forward in line at the same time and then releasing them. Assistant starters, usually strapping men with horse whips, stood behind them, helping to get anyone unruly into line. Jockeys needed to have their own mounts in position while also watching for the starter to pull the lever and spring the barrier to start the race and do all of this with any number of other horses and jockeys trying to do the same thing. Kicks and shouts and false starts were all trials to be borne for the chance at the perfect start. Loftus mastered this skill as did many of the era’s greatest jockeys, all angling for the flying start that would catch their mounts already in stride as the barrier gave way to the action.
August 13, 1919 saw Saratoga without their usual starter, Mars Cassidy. Loftus was well aware of Cassidy’s tells, but was not at all familiar with his replacement Charles Pettingill. Pettingill, who had once been a starter before becoming a judge, was known for the seeming inability to do his job; a number of the races on the Saratoga card that day had terrible starts, with Pettingill unable to keep things tidy and orderly. Then came the Sanford Memorial Stakes.
Laden with 130 pounds, Man O’War was one of the high weights in the race, Golden Broom the other, also with 130 pounds. Loftus’s instructions were to let Golden Broom set the pace and then to move when he tired, rather than running on the front. The race was only six furlongs with every other horse massive underdogs next to the strapping Big Red. All Johnny had to do was avoid trouble and surely this start would end as all of the others would, with Red coming home first. Pettingill’s inability to get the horses at the start under control meant that Loftus, trying to get Man O’War back into position for a fresh start, wasn’t ready for the lever’s fall. The field got a jump on him and the greatest horse of the 20th century was nearly left at the post.
Doing his best to follow instructions, Johnny kept his mount behind the front runners, but soon realized that he was boxed in. Upset kept Golden Broom close to the rail, preventing him from squeezing through when the latter might bear out on the turn. Next to him was Donnaconna, just back on his flank. If he took Man O’War to the outside, going around all of this horseflesh, he would expend quite a bit of energy, that 130 pounds telling on any mortal body. If they stayed where they were, they would have to wait for an opportunity or create it. Loftus tried to create it, shouting for room to come through. Neither Golden Broom nor Upset gave way. The box was closing quickly as the ground between them and the finish line grew smaller and smaller.
Finally, Golden Broom gave way, the 130-pound impost too much. He fell back, leaving only one horse in front, and finally Loftus was able to swing Big Red to the outside. With only a furlong left, Loftus unleashed Man O’War, urging him to make up ground. Willie Knapp, Upset’s jockey, did the same on his mount and, though the gap between the two was starting to close, the bare furlong turned in mere yards and then only feet for Man O’War to close the gap and then eclipse Upset. But Upset carried only 115 pounds to Man O’War’s 130 pounds, enough to make a difference. The crazy start plus the rough trip meant that despite every inch of the twenty-eight-foot stride that Man O’War possessed was not enough to catch the elusive Upset. They crossed the finish line, with the aptly named Upset a bare half-length in front. In the next couple of strides, Man O’War had caught the upstart, but it was too little too late.
It would be Man O’War’s only loss. It would contribute to Loftus’s undoing.
Despite going on to win three more starts on Man O’War that year, Johnny’s legacy became forever tied to the misfortunes that resulted in Big Red’s only loss. He mysteriously lost his jockey’s license the following year and was never able to regain it; he applied for a trainer’s license, though, and was granted that immediately. He stayed in the game as long as he could, training stakes winners for prominent owners, but, when he had a streak of bad luck, he gave up the racing game for something far calmer and less risky: carpentry. He died in 1976, far away from the bugle’s call and the tiny square of leather that had been his office for so long.
In the end, John Patrick Loftus was remembered less for the classics he won and the Triple Crown he helped to pioneer and more for the bad start and even worse racing luck that plagued Man O’War on that fateful day, the one black mark on Big Red’s career that haunted the jockey, not the horse, for years to come.
His name was Johnny, an Irish boy who rode horses and became one of the era’s best and brightest jockeys. He was one of the First, the right pilot for the right horse at the moment when history was made.
Many great & glorious thanks to Dorothy Ours & her book on Man O’War for giving me inspiration as well as serving as a wonderful source on Johnny Loftus & many other topics.
It all started with a book. This book, to be precise.
I suppose that’s how stories like mine often start, with a seminal event: a book, an image, something small. Something that might not mean anything to anyone else at that moment, but, to you, changes everything.
My teacher, Ms. Scott, read The Black Stallion out loud to my fifth-grade class during the fall of that school year. The clouds of time obscure the specifics, but I remember it had to be the fall because another seminal moment happened about the same time. I had our television to myself on a Saturday, a rare treat indeed, and, as I flipped channels, I saw horses congregating on a dirt oval, entering the gate, and flying like lightning down the track. Entranced, I watched what had to have been an afternoon’s worth of racing, unable to catch names, but nevertheless addicted. (Later, I figured out it was the 1987 Breeder’s Cup.)
On June 6, 2015, I sat in my living room, watching the broadcast for the 147th Belmont Stakes. My sister was over, my kids were playing, and my husband had just left for his evening with friends. The last thing I said to be him before he left was “You’re going to miss the race!”
Literally, ten minutes later, history had been made.